R16 / MOUNT HOPE / WORKING ASSET LIBRARY
One organized home for the controlling floor drawings, spatial studies, eye-level keyframes and motion tests behind the Northline townhouse project.
Controlling study / main floor
Source-linked · 2K referenceA production reference.
FEATURED COLLECTIONS
The leading spatial directions remain grouped separately so references never drift between the repeatable base unit and the premium exposed-end option.
ISLAND-LED SOCIAL PLAN
A strong central island organizes the kitchen, dining and living sequence into one continuous social room.
ZONED KITCHEN PLAN
A more defined kitchen wall and dining zone create distinct moments without closing the rear living space.
MASTER ASSET INDEX
Search by room, plan, reference ID or asset type. Open any card for a clean inspection view, then download the original working file.
23 assets shown
Working references · originals preserved
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SEQUENCE COLLECTIONS
Final-audit locks, holds and rebuilds remain visible together so the decision trail is explicit. The continuous movie will start only after every endpoint is structurally locked and physically adjacent to its successor.
PLAN A / STAIRS → BATHROOM / MODEL SHOWDOWN
The same hard brief in every render: begin in the locked stair frame, move through the landing and hall, then arrive at the locked bathroom frame—without cutting through a wall or changing the house.
01 / SEEDANCE 2.0 / ROUTE ANCHORS
Uses the locked start, landing, corridor and end-frame references. It is the clearest full traversal of the actual Haj Riyadh route, so this is the lead candidate for the continuous POV master.
02 / KIE GEMINI OMNI / VIDEO-TO-VIDEO
Refined from the correct Seedance route plate with five spatial checkpoints. It follows the house cleanly, but still misses exact pixel-level start and end locks.
03 / KIE GEMINI OMNI / DIRECT 4K
Generated directly at 3840×2160 from the same route, references, prompt and seed. It keeps more material variation for only 20 credits more than the upscale path, but took considerably longer.
Open matched 4K detail crop04 / GEMINI 1080P + TOPAZ 2×
Topaz enlarges the exact 1080p motion and preserves its audio almost transparently. The 4K master is clean and sharp, but smoother and more enhancement-like than the direct render.
Open matched 4K detail crop05 / KIE GEMINI OMNI / 1080P
This is the exact source used by Topaz. Review it to separate the quality of the underlying motion and geometry from the later resolution enhancement.
06 / CINEMA STUDIO PRO
Most faithful opening and closing frames, with a more compressed corridor than the winning route-anchor version.
07 / KLING 3.0 PRO
A controlled pass with solid finishes, though it shifts openings and loosens the intended interior route.
08 / CINEMA STUDIO
Good visual control and endpoint behavior, but it summarizes the hall rather than truly walking through it.
09 / SEEDANCE 2.0
The initial two-frame pass preserves the concept, but adds clutter and loses the calm spatial logic of the actual home.
10 / GEMINI OMNI FLASH
A useful motion reference, but it does not enforce the hard start and end frames needed for a continuous edit.
ARCHIVED MOTION DIAGNOSTICS
All twelve clips were generated with Kling 3.0 from paired first and end frames at 720p. They remain visible for diagnosis, but none is approved for the continuous POV master.
Audit result: 0 / 12 clips approved · 2 / 23 current stills locked unchanged · no new video generation in this pass.
PLAN A · CLIP 01
A restrained sidewalk approach passes through the real front threshold and settles inside the Haj Riyadh hall.
PLAN A · CLIP 02
The camera follows the real corridor beside the stair before turning into Haj Riyadh’s island-led social room.
PLAN A · CLIP 03
Superseded: its living endpoint adds side glazing to Haj Riyadh’s party wall. The corrected rear-facing frame is now in the library.
PLAN A · CLIP 04
Rejected: one endpoint pair skips the stair base, full flight and landing approach, causing a visible room-to-wall morph.
PLAN A · CLIP 05
A quiet corridor walk passes the laundry and turns through the real bedroom doorway before settling on the primary suite.
PLAN A · CLIP 06
Rejected: the permit plan enters this ensuite from the upper corridor, so a direct bedroom-to-bath transition is impossible.
PLAN B · CLIP 01
The approach holds Haj Saad’s exposed side elevation, selects the correct front door and settles inside its stair hall.
PLAN B · CLIP 02
Rejected: the elevated kitchen overlook creates a balcony and floor change that do not exist on the main-floor plan.
PLAN B · CLIP 03
Rejected with the overlook anchor. The correct kitchen and living sequence remains on one continuous main-floor level.
PLAN B · CLIP 04
Rejected: the wall wipe conceals a missing multi-part stair journey and produces an obvious geometry substitution.
PLAN B · CLIP 05
A direct corridor walk chooses the end-unit bedroom doorway and settles on Haj Saad’s broader window wall.
PLAN B · CLIP 06
Rejected: the bathroom is internal and corridor-entered; this clip also inherits the old bathroom’s invented window.
CURRENT WORKING DIRECTION
Lead with Haj Riyadh as the repeatable base unit: its island-led social room reads immediately and its daily circulation is more direct.
Keep Haj Saad as the premium exposed-end option, where the extra glazing and more defined zones justify the more layered route through the house.
“The library keeps the evidence.
The final edit tells the story.”